Decan Tarot
Pentacles · the ace

Ace of Pentacles.

On an open palm, not yet taken.

perfect contentmentfelicityecstasygold
the evil side of wealthbad intelligencegreat riches

Upright, then reversed, as Waite gave them in 1910.

Press a mark. Pamela Colman Smith, 1909. Scan in the public domain.

A gold coin lying flat on a hand out of a cloud. Below, a kept garden of lilies and roses, and a trimmed arch in the hedge with a path through it to the mountains.

Nothing here is being pressed on you. The hand is open, the coin is resting rather than held, and the gate was cut by somebody else. That is the whole offer: material, unspent, no plan attached yet. Whatever has come within reach lately, you could take it or walk past it, and nobody here will say which.

Four things people go to on this card

  1. the palm

    You went to the hand. It is flat and open, not gripping, and the coin is resting on it rather than being held.

    Available is not the same as won. Of the four aces this is the only one where the hand is not closed around what it offers. It could be taken. It could also be left where it is, and the hand would not close.

    That is an uncomfortable amount of choice. Most people find an offer easier than an opportunity, because an offer has a person attached to it and a deadline. What is in front of you has neither, which is the real reason you have not moved on it.

    What is sitting open in front of you that nobody is going to press you to take?

  2. the archway

    You went to the gap in the hedge. It is a trimmed arch, deliberately cut, and there is a path through it.

    Somebody made that opening on purpose. It is not a gap in a wall; it is a door, and it has been kept clipped. The mountains are on the other side of it.

    So this is the ace least about the thing in your hand and most about where you could carry it. The garden is pleasant and it is also enclosed. If you have been standing in something comfortable for a while, the exit was built before you arrived, and it is still open.

    There is a way out of this and somebody built it. What is on the other side that you have not walked to?

  3. the lilies

    The flowers held you: white lilies and red roses along a bed, planted, in a garden that somebody keeps.

    This is not wild ground and nothing here is a first attempt. The soil has been worked for years by somebody who is not in the picture, and the lilies are the proof, because lilies do not volunteer.

    If something has come to you easily lately, the plain reading is that it came out of work. Possibly not yours. That is worth knowing before you spend it, and it is worth knowing whose garden you are standing in when you do.

    Whose earlier work is this actually standing on?

  4. the coin

    The coin drew you, and it is the biggest single object in any of the four aces: large, gold, plain.

    The suit is about what you have and what you build with it, and the ace is the raw fact before anything is decided. Money, a body, a house, a skill, an hour. It is the least exciting of the four and the most durable.

    Nothing has been done with it. There is no plan in the picture, no tool, no other person. You have something at the moment that is exactly this, material and in hand and unassigned, and the card will not hurry you into assigning it.

    What have you got, right now, that has no plan attached to it?

On the Tree of Life, Book T puts the Ace of Pentacles on Kether, the crown, in Assiah, the world of earth: the root of the suit. It is the first place in the Tree of Life spread.

Draw a card, and if this one turns, press whichever of these four you went to and the reading is written from there instead. Pulled it in a spread of your own? Read the whole spread here.

← King of Swords · Ace of Wands · Ace of Cups · Ace of Swords · Two of Pentacles →